Zhou Botong (simplified: 周伯通, traditional: 周伯通, pinyin: Zhōu Bótōng, jyutping: zau1 baak3 tung1), known as the Old Wild Child, was the shidi of Wang Chongyang, founder of the Quanzhen Order, and shishu1 to the Seven Zis of Quanzhen. Childlike, mischievous and obsessed with martial arts, he spent fifteen years confined in a cave on Peach Blossom Island, where he devised the Void Clarity Fist and Ambidextrous Self-Combat. He became the sworn elder brother of Guo Jing, and in his old age was named the Central Wild Child, first among the new Five Greats.
Biography
Early years
Zhou Botong and Wang Chongyang had been friends before Wang Chongyang became a Daoist, and Wang Chongyang later taught him all his martial arts. Zhou Botong pressed him to become sworn brothers, and Wang Chongyang, after some reluctance, agreed. Though Zhou Botong belonged to the Quanzhen Order, Wang Chongyang told him not to become a Daoist priest: he thought his shidi too obsessed with martial arts, and too attached to them, to follow the Daoist way of stillness and non-action. Zhou Botong was glad of it, for he put no faith in immortality and had no wish to be a “bull-nosed Daoist”.
Wang Chongyang also warned him that, for all his talent and love of martial arts, his obsession and his lack of any wish to save the world and help others would keep him from the highest level, however hard he trained. Zhou Botong did not believe it at the time.
Affair with Consort Liu
The year after Wang Chongyang won the Nine Yin Manual at the Huashan Sword Summit, he travelled to the Dali Kingdom2 to pass the Innate Skill to Emperor Duan, the future Great Master Yideng, and Zhou Botong went with him. During the half-month that Wang Chongyang and the emperor spent exchanging martial arts, Zhou Botong grew bored and wandered all over the palace, not even keeping out of the empress’s and the consorts’ quarters.
In the palace garden he came upon Consort Liu practising martial arts. Knowing nothing of the proprieties between men and women, he sparred with her at once, laid her low with a pressure-point strike, and then held forth on the secrets of dianxue. She had long wanted to learn it, and asked him to teach her. Teaching dianxue meant touching each acupoint on the body, and within ten-odd days the two had become lovers.
Emperor Duan learnt of it but pretended not to know, out of regard for Wang Chongyang. When Wang Chongyang found out, he tied Zhou Botong up and brought him before the emperor to be dealt with. The emperor untied him, summoned Consort Liu, and told the two to marry. Zhou Botong refused: he had not known it was wrong, he said, and now that he knew, he would not marry her even if they cut off his head. Wang Chongyang said that had he not known how simple-minded his shidi was, he would have killed him on the spot. When the emperor demanded to know why he would not take her, Zhou Botong knelt, kowtowed and begged to be killed. Then he took out a brocade handkerchief, embroidered with mandarin ducks and the poem “Four Looms”, and handed it back to Consort Liu. She would not take it, and it fell at the emperor’s feet. Zhou Botong slapped his own face until it bled, kowtowed in farewell and left, and nothing more was heard of him in Dali.
He never knew that Consort Liu was carrying his child. He learnt that he had had a son only decades later, on Mount Hua.
Guardian of the Nine Yin Manual
Wang Chongyang died not long after the visit to Dali. Sensing his end, he had Zhou Botong fetch the manual to burn it, but could not bring himself to destroy the life’s work of its author, Huang Shang. He decreed instead that no one of his school should ever practise its martial arts, so that none could say he had fought for it out of self-interest.
That night, while Zhou Botong and the Seven Zis kept vigil over his body, enemies attacked the temple. The Seven Zis led them away from the hall, leaving Zhou Botong alone by the coffin, and Ouyang Feng came for the manual. Zhou Botong fought him in the treetops for thirty or forty moves, took a palm on the shoulder and fell. As Ouyang Feng reached for the manual, Wang Chongyang burst out of the coffin: he had only feigned death, and with a One Yang Finger strike charged with the Innate Skill he damaged Ouyang Feng’s Toad Skill and drove him back to the Western Regions. Soon afterwards Wang Chongyang died in earnest.
Fearing that Ouyang Feng would return, Zhou Botong set out to hide the manual in the Yandang Mountains in the south. On the way he met Huang Yaoshi, newly married. Huang Yaoshi’s young wife, Madam Huang, who knew no martial arts, asked to look at the manual out of curiosity. Zhou Botong refused, until the couple goaded him into a game of marbles: if he lost, she could look at the book; if he won, he would have the Soft Hedgehog Armour. He was winning when Huang Yaoshi shattered his last three marbles with his own, and so he lost.
Madam Huang read the manual through twice beside him, then told him that Ouyang Feng had switched it for a common book of fortune-telling that every child in Jiangnan learnt by heart, and recited it to him word for word. In a rage Zhou Botong tore the cover to shreds, but as he was about to tear the pages he saw an odd look on Huang Yaoshi’s face and stopped. Huang Yaoshi then offered him the Soft Hedgehog Armour, which he declined. He went home to train, meaning to seek out Ouyang Feng in five years and force him to return the manual.
A year or so later, word spread that the Twin Evils of Dark Wind, Chen Xuanfeng and Mei Chaofeng of Peach Blossom Island, had mastered skills from the manual. Qiu Chuji came twice to tell him what he had found, the second time that the pair had stolen Huang Yaoshi’s copy, and that Huang Yaoshi’s copy had come not from Ouyang Feng but from Zhou Botong himself: Madam Huang had memorised the text at a reading and written it out for her husband.
Fifteen years on Peach Blossom Island
When the Quanzhen disciples failed to find the Twin Evils, Zhou Botong went alone to Peach Blossom Island to call Huang Yaoshi to account. Huang Yaoshi answered that he had never looked at Zhou Botong’s book, only at his wife’s transcription, and then told him that she had died. Trying to write out the lower volume again from memory, while eight months pregnant, she had exhausted herself, miscarried and died after giving birth to a daughter. When Zhou Botong congratulated him, saying that now he could give himself wholly to martial arts, Huang Yaoshi attacked him.
Huang Yaoshi broke both his legs and demanded the lower volume of the manual, to burn it as an offering to his wife. Zhou Botong hid the manual in a cave and sat at its mouth, threatening to destroy it if Huang Yaoshi tried to take it by force, and swore not to leave the cave, except to relieve himself, until he could beat him. The two kept this up for fifteen years. Huang Yaoshi, too proud to starve or poison him, tried every means to lure him out, and never took advantage when he left the cave to relieve himself. The island’s trees were planted to a maze based on Zhuge Liang’s Eight Formations, and no one could find a way through it unless Huang Yaoshi allowed it. The Seven Zis, used to their shishu vanishing for years at a time, never thought to look for him.
In the cave he worked out the principle of using the empty to strike the solid and the insufficient to overcome the abundant, which Wang Chongyang had once explained to him, and from it devised the seventy-two moves of the Void Clarity Fist. Having no one to spar with, he made his left hand fight his right, and so devised Ambidextrous Self-Combat, purely as a pastime. He also read the manual until he knew it by heart. Madam Huang had told him that Wang Chongyang forbade practising it, not reading it, and he did not practise it.
A few months before Guo Jing’s arrival, Huang Rong had visited him and brought him good wine, but then stopped coming.
Brotherhood with Guo Jing
One night, as Huang Yaoshi played the Azure Sea Surging Melody to draw Zhou Botong out, Guo Jing came upon him struggling against it and steadied him with a palm on his neck. Delighted to have company, Zhou Botong proposed that they become sworn brothers. Guo Jing protested that he was junior to Ma Yu and Qiu Chuji, who were Zhou Botong’s shizhi. Zhou Botong flew into a tantrum, threw down a dish, wept and tore out tufts of his beard, until Guo Jing gave in. They swore brotherhood, Zhou Botong kneeling inside the cave and Guo Jing outside it, with Zhou Botong naming himself “Old Wild Child Zhou Botong” in the oath. He then told Guo Jing the history of the manual and of his imprisonment.
He taught Guo Jing the Void Clarity Fist, throwing him seven or eight hundred times in the process, and then Ambidextrous Self-Combat. When Guo Jing remarked that the two-handed art was like fighting two against one, Zhou Botong realised for the first time that his pastime had real use in combat, and leapt out of the cave laughing, sure that two Old Wild Children could beat anyone.
That night he was bitten by a venomous snake. Guo Jing sucked out the venom, and when that was not enough fed him his own blood, made proof against snake poison by the serpent’s blood he had once drunk, and so saved his life. Wishing to repay him, and itching to see the manual’s martial arts in action without breaking Wang Chongyang’s decree, Zhou Botong hit on teaching them to Guo Jing, who was not a Quanzhen disciple, without telling him what they were. He had Guo Jing learn both volumes by heart, including the long passage of gibberish at the end of the lower volume, and taught him its methods by word of mouth alone.
Leaving the island
Left alone after Guo Jing went to Huang Yaoshi, and hearing the sounds of a contest of music in the distance, Zhou Botong at last understood why the young man had withstood the flute when he could not: Guo Jing was too young and pure to be moved by thoughts of love, while Zhou Botong’s old affair had left him open to it. Seeing how small his long quarrel with Huang Yaoshi was, he let go of it. Then, snapping a tree with a casual blow, he realised to his horror that he had mastered skills from the manual without meaning to: explaining it day after day had fixed it in his mind, and it had come to him of its own accord. He tied his own hands together, vowing not to fight until he had forgotten it.
Before leaving the cave he dug pits and set a pot of urine to tip on whoever pulled the leaves aside, and Huang Yaoshi fell into both. When Huang Yaoshi, Hong Qigong and Ouyang Feng caught up with him, he told Huang Yaoshi that he had already given him the manual, since he had taught it all to his son-in-law, and so revealed to the dumbfounded Guo Jing what he had learnt. When Huang Yaoshi demanded the original, Zhou Botong ground both volumes to scraps between his palms and scattered them on the sea wind. In the fight that followed he dodged the Peach Blossom Falling Petals Palm with his hands still tied, using the Slithering Wildcat Tumble, but would fight back with only one hand and was wounded. Huang Yaoshi gave him medicine, conceded that his martial arts were the better, and said that if Zhou Botong went to the next Sword Summit he himself would not.
As a joke, Zhou Botong then claimed that Guo Jing had copied the lower volume from Mei Chaofeng, and Huang Yaoshi, believing him, broke with Guo Jing in fury. Zhou Botong insisted on sailing in Huang Yaoshi’s new flower ship, which Huang Yaoshi had built to sink at sea, and Hong Qigong and Guo Jing went with him.
At sea
When the ship broke apart, Zhou Botong leapt into the sea and walked the waves on planks tied to his feet. A school of sharks attacked the three, and Zhou Botong, still hurt from Huang Yaoshi’s blow, was coughing blood when Ouyang Feng’s ship picked them up. Aboard, he bet Ouyang Feng that he could not kill every shark in the sea; Ouyang Feng poisoned them all with his snake venom and won. As the forfeit, Ouyang Feng ordered him to write out the Nine Yin Manual. Zhou Botong refused and, as the terms of the bet required, jumped into the sea.
There he mounted a shark whose jaws Ouyang Ke had propped open with a stick, and rode it for days. He reappeared on Wanyan Honglie’s ship, where Ouyang Feng held Guo Jing, Huang Rong and the wounded Hong Qigong, and argued that since this shark had survived the poison, it was Ouyang Feng who had lost. He made Ouyang Feng unseal Hong Qigong’s acupoints, and the four were put ashore. Until then, having spent the past fifteen years on the island and achieved little before that, he had not been well known in the jianghu.
Lin’an and Jiaxing
He went with Hong Qigong, Guo Jing and Huang Rong to Lin’an, and stayed in the palace with Hong Qigong, who wished to eat the imperial kitchen’s dishes, while the young pair left. He drew Ouyang Feng into a race from Lin’an to Jiaxing and back, with Huang Yaoshi following, until he remembered the helpless Hong Qigong and broke off. Hearing Qiu Qianren’s lie that Huang Yaoshi had killed him, the Quanzhen disciples turned on Huang Yaoshi.
Unable to find Hong Qigong in the palace, he caught Peng Lianhu, Sha Tongtian, Liang Ziweng and their companions, made them swallow pills rolled from the dirt of his skin as “poison”, and set them to search. When they found out the trick, Peng Lianhu goaded him into a contest with Venerable Lingzhi to see who could sit still longer, and Lingzhi’s companions sealed the monk’s acupoints so that he could not lose. Huang Rong tickled Zhou Botong out of it. When she told him that “Four Looms” had come looking for him, he fled in terror.
At the fight at Misty Rain Pavilion, he came out of the fog and fought Huang Yaoshi, using the Void Clarity Fist and his two-handed art. Once he caught himself using a Nine Yin move and struck his own wrist. At Huang Rong’s threat to tell of “Four Looms”, he turned on Ouyang Feng instead, taking the North Star position of the Quanzhen Big Dipper Formation. When Ouyang Feng loosed his snakes, Zhou Botong, who feared snakes above all things, fled to the roof and hid under its tiles.
Mount Hua
Some months later Huang Rong sent him a letter through the Beggars’ Guild, reminding him of his promise to do whatever she asked and telling him to kill Qiu Qianren, who was Consort Liu’s bitter enemy. Zhou Botong found Qiu Qianren at Iron Palm Peak and, once he used his two-handed art, had the better of him. He chased him all the way to the Western Regions, keeping to their agreement that neither would attack while the other ate, slept or relieved himself, and several times caught him but could not bring himself to kill him. Their chase led them into the dark stone hut where Guo Jing and Ouyang Feng were fighting, and the four fought blind. Later, when Qiu Qianren picked up a snake to kill himself with, Zhou Botong ran in terror, and Qiu Qianren chased him off with it.
On Mount Hua, on the eve of the second Sword Summit, he slapped Guo Jing to please Huang Rong, then caught Sha Tongtian, Peng Lianhu, Venerable Lingzhi and Hou Tonghai, stabbed them with Peng Lianhu’s poisoned ring, and had Qiu Chuji escort them to Chongyang Palace to be confined for twenty years, with antidote pills to be given for good behaviour. That night Qiu Qianren frightened him with snakes again. When Yinggu appeared to attack Qiu Qianren, Zhou Botong broke Qiu Qianren’s Iron Palm with Nine Yin skills to save her, and learnt from her for the first time that he had had a son, and that Qiu Qianren had killed him. Faced with her, he fled down the mountain, crying that he had soiled himself, which in his panic he really had, and she chased after him.
Later years
Years after the summit he met the young Yelü Qi, got on well with the boy and took him as his disciple. He taught him little, and Yelü Qi never learnt Ambidextrous Self-Combat.
He bet State Preceptor Jinlun that he could steal a banner from the Mongol camp. Jinlun and Zhao Zhijing led him to a cave where the banner was wrapped round three colour-snow spiders, whose bite was thought incurable. Xiaolongnü killed the spiders with jade-bee needles, and the bee venom drew out much of the poison. He taught her Ambidextrous Self-Combat, then stole her jade-bee honey and taught himself to command her bees.
He later lived alone in the Hundred Flowers Valley, keeping bees. Yang Guo, with Guo Xiang, came to fetch him to Black Dragon Pool, where Great Master Yideng had brought the dying Ci’en, once Qiu Qianren, to seek Yinggu’s forgiveness. Zhou Botong refused at first, but after hearing that he really had had a son he came to see her. He asked whether the boy had had one crown whorl or two, rejoiced that it was two, like his own, and told Great Master Yideng that, since he had stolen the emperor’s wife and the emperor had refused to save his son, they were quits. He and Yinggu forgave Ci’en, who died at peace. In later years Zhou Botong, Yinggu and Yideng lived together in a valley of flowers, keeping bees and growing vegetables.
Years later, at a gathering on Mount Hua, Huang Yaoshi named the new Five Greats as Eastern Heretic, Western Madman, Southern Monk, Northern Xia and Central Wild Child, and declared Zhou Botong first among them, because he alone had never given a thought to fame.
Personality and traits
Physical appearance
When Guo Jing first saw him in the cave, his hair hung down to the ground, and his long eyebrows and long beard hid his nose and mouth. His hair and beard were long and unkempt but still black, without a trace of grey, and his face was ruddy and boyish. When he laughed and made faces, his expression was comical, like a child playing with others. By the time he rode the shark, he was described as white-haired and white-bearded. He was of about the same age as Hong Qigong and Ouyang Feng.
Character
Zhou Botong was a child at heart: guileless, innocent in speech and without the slightest scheming. He was mischievous by nature, did not mind being scolded and cared nothing for being petted, and nothing pleased him more than a prank. He loved stories, and insisted that the listener keep asking “What happened next?” He threw tantrums when crossed, and was easily goaded into bets and contests, which his enemies used against him.
He loved martial arts above everything, saying that a man could go without food or even life but not without training. Yet he had no wish for fame: he gave no thought to whether he ranked among the Five Greats. He was terrified of snakes, and as afraid of Yinggu, whom he could not bear to face. He kept his word: he observed the rules of his bets and contests even when they put him at a disadvantage, and honoured Wang Chongyang’s decree against practising the manual even at the cost of a beating from Huang Yaoshi.
Martial arts abilities
Quanzhen martial arts
Zhou Botong learnt all his martial arts from Wang Chongyang. His neigong was the orthodox Daoist neigong of the Quanzhen school, and he told Guo Jing that the essence of Quanzhen martial arts lay in emptiness and softness. When he practised at night after devising Ambidextrous Self-Combat, his left hand used the Void Clarity Fist while his right used a set of Quanzhen palm moves. Before his imprisonment he held Ouyang Feng for thirty or forty moves before losing; after it, Huang Yaoshi admitted him the better fighter. Before the second summit Huang Rong judged him the strongest of the contenders, but weaker than the others if he refused to use the Nine Yin skills.
Void Clarity Fist
The Void Clarity Fist (空明拳 — Kōngmíng Quán) was the softest fist art under heaven, which Zhou Botong drew from the Classic of the Way and Its Virtue. He devised its seventy-two moves in the cave, after realising the meaning of using the empty to strike the solid and the insufficient to overcome the abundant (以虚击实、以不足胜有余). He illustrated it to Guo Jing with the Daodejing’s image of the bowl that holds rice only because it is empty, and of the house that can be lived in only because of the space within its walls.
He taught it through a sixteen-character formula, each character naming a principle: sōng (松) meant the force of a punch should be empty, chóng (虫) that the body should be soft as a worm, méng (朦) that the moves should be muddled and never too clear, and mèng (梦) that one should move as if dreaming. Being mischievous, he gave the forms comic, homely names, the first two being Empty Bowl Holds Rice and Empty House Takes Lodgers. He admitted that Hong Qigong’s Eighteen Palms of Dragon Subduing, hard yet tempered with softness, could not be beaten by it.
Ambidextrous Self-Combat
Ambidextrous Self-Combat (双手互搏 — Shuāngshǒu Hùbó, also 左右互搏 — Zuǒyòu Hùbó) let the practitioner fight with each hand using a different art, so that each hand fought as well as both hands together. It ran against the common sayings that the mind cannot be put to two uses at once (心无二用), and that one cannot draw a square with the left hand and a circle with the right (左手画方,右手画圆,则不能成规矩), and its training began with exactly that exercise. Zhou Botong told Guo Jing that only his Quanzhen neigong, letting one spirit guard within and one wander without (一神守内、一神游外), let him learn it so quickly. It doubled the number of moves but not the neili, which was split between the two hands, a flaw Zhou Botong told Guo Jing to keep to himself. Not everyone could learn it: Guo Jing and Xiaolongnü did, but Huang Rong and Yelü Qi could not.
Nine Yin Manual
Zhou Botong guarded the Nine Yin Manual for fifteen years and knew both volumes by heart, but obeyed Wang Chongyang’s decree and did not practise it. In teaching it to Guo Jing he mastered its skills without meaning to, which horrified him. He tried to fight without them, tying his hands when he left the island, and claimed at Misty Rain Pavilion that he had forgotten them, though he still slipped into Nine Yin moves at times. On Mount Hua he used them to save Yinggu. Qiu Chuji later cited him as the man who had learnt the manual’s skills unwittingly and then forced himself to forget them.
Relationships
Wang Chongyang
Wang Chongyang was his friend, sworn brother and teacher, and the person Zhou Botong admired most. He wept when he spoke of his shixiong’s death, and losing the manual he had been entrusted with tormented him, since he felt he had failed his shixiong. Wang Chongyang, for his part, judged his shidi a simple soul, and spared his life over the affair in Dali only for that reason.
Guo Jing
Zhou Botong made Guo Jing his sworn younger brother in the cave, and was strict that Guo Jing must call him “Big Brother”. He taught Guo Jing his two arts and, by a trick, the Nine Yin Manual, and Guo Jing saved his life after the snakebite. Their teasing continued: he slapped Guo Jing on Mount Hua to please Huang Rong, and in the dark hut kept him fighting for the fun of it. When Guo Jing worried that calling him “Big Brother” put him above Qiu Chuji, Qiu Chuji told him that his shishu had never cared for rank.
Yinggu
Zhou Botong never stopped thinking of Consort Liu, later Yinggu. Raving after the snakebite, he murmured the “Four Looms” poem, and he warned Guo Jing against women and against letting one touch his acupoints. He was so afraid of meeting her that the mere mention of her drove him away, and he obeyed Huang Rong rather than have her told of him. Yinggu, for her part, searched for him for twenty years. They were reunited only when Yang Guo brought him to her.
The Seven Zis of Quanzhen
The Seven Zis were his shizhi. Zhou Botong said that, seeing he behaved nothing like an elder, they did not treat him much as one, and he in turn privately thought them too strict and rule-bound. When Qiu Qianren claimed that Huang Yaoshi had killed him, they took it for the truth and sought revenge.
Huang Yaoshi
Huang Yaoshi tricked him out of the manual’s text, and when Zhou Botong congratulated him on his wife’s death, crippled him and held him on Peach Blossom Island for fifteen years. Zhou Botong nonetheless never thought him a base man, and on leaving the island he settled the score with dung and urine. Huang Yaoshi then admitted himself beaten and promised to treat him as an honoured guest if he came again.
Behind the scenes
The historical Zhou Botong
Zhou Botong takes his name from a real man of Ninghai in Shandong, under the Jin dynasty. In an appendix to the novel, Jin Yong quotes the stele inscription for Wang Chongyang by Jin Yuanchou: in the fourth month of the ninth year of the Dading era (1169), Zhou Botong of Ninghai invited Wang Chongyang to live in his hermitage, which was named the Golden Lotus Hall (金莲堂). The same appendix records that Sun Buer came to the Golden Lotus Hall to be ordained. The hall was the base of Wang Chongyang’s early activity in Ninghai.
Portrayals
Zhou Botong has been portrayed by numerous distinguished actors across various adaptations:
The Legend of the Condor Heroes
- 1976 series — Chun Wong
- 1977 film — Philip Kwok
- 1978 film — Philip Kwok
- 1981 film — Philip Kwok
- 1983 series — Chun Wong
- 1994 series — Wayne Lai
- 2003 series — Zhao Liang
- 2008 series — Li Yu
- 2017 series — Ning Wentong
- 2024 series — Wang Jinsong
The Return of the Condor Heroes
Other adaptations
- 1982 film — Philip Kwok (as Guo Jing)
- 1992 series — Wayne Lai
- 1993 series — Wayne Lai
- 1993 series The Mystery of the Condor Hero — Liu Kai-chi
- 1994 movie The East Is Red — Carina Lau
Notable portrayals
Chun Wong’s portrayal across multiple TVB adaptations in the 1970s and 1980s established the definitive image of Zhou Botong for television audiences. His interpretation perfectly captured the character’s childlike wonder and mischievous nature whilst maintaining the underlying martial arts mastery and wisdom. Qin Huang’s natural comedic timing and ability to convey both innocence and profound depth made his Zhou Botong beloved by generations of viewers.
Philip Kwok’s performance in the Shaw Brothers Brave Archer film trilogy brought a more physical and acrobatic dimension to the character. His background as a member of the Venom Mob and expertise in martial arts choreography allowed him to showcase Zhou Botong’s fighting abilities with particular flair, making the character’s combat scenes memorable and dynamic.
Wayne Lai notably portrayed Zhou Botong in four separate Jin Yong television adaptations throughout the 1990s, demonstrating remarkable consistency in his interpretation across different productions. His performances balanced the character’s comedic elements with moments of genuine pathos, particularly in scenes dealing with Zhou Botong’s complicated past relationships.
Qin Huang (1983) | Wayne Lai (1994) |
Zhao Liang (2003) | Li Yu (2008) |
Ning Wentong (2017) | Wang Jinsong (2024) |
See also
- The Legend of the Condor Heroes characters
- The Return of the Condor Heroes characters
- Wang Chongyang — His shixiong, sworn brother and teacher
- Guo Jing — His sworn younger brother
- Yinggu — His lover, once Consort Liu
- Great Master Yideng — Former ruler of Dali, whose consort he loved
- Quanzhen Order — His faction
- Five Greats — His ranking
Follow the archive routes
- Read: Continue with The Legend of the Condor Heroes or browse the translation archive.
- Explore: Follow the Legend of the Condor Heroes character pages and the Quanzhen Order.
- Understand: Start with wuxia and jianghu for the genre and social-world context.
- Watch: Follow wuxia adaptations for the screen route.
- Write: Study story elements in wuxia fiction for character, mentorship, and martial arts in the novels.
External links
- Zhou Botong on Wikipedia
- Zhou Botong (Chinese) on Chinese Wikipedia

Qin Huang (1983)
Wayne Lai (1994)
Zhao Liang (2003)
Li Yu (2008)
Ning Wentong (2017)
Wang Jinsong (2024)