Yan Leisheng (Chinese: 燕垒生; pinyin: Yàn Lěishēng), born Zhang Jian1 (张健) in 1970, is a contemporary Chinese writer renowned for masterful blend of fantasy, wuxia, and science fiction. A native of Linping District2 in Hangzhou, Zhejiang Province, he has established himself as one of the most distinctive voices in Chinese speculative fiction.
Currently serving as Vice Chairman of the Zhejiang Network Writers Association3 and member of Hangzhou Writers Association, Yan Leisheng represents a generation of authors who emerged alongside China’s internet literature boom while maintaining rigorous literary standards. Liu Cixin4 has called his work “a lonely and unmissable peak in Chinese fantasy”.
Early life
Born in 1970 in what is now Linping District, Hangzhou, Yan Leisheng grew up during significant social and cultural transformation in China. His formative years coincided with the post-Cultural Revolution era, when access to previously banned literature became possible and Western science fiction began circulating among Chinese readers.
He began writing seriously in the 1990s, initially publishing short stories in literary magazines and science fiction periodicals. His early work demonstrated unusual facility for moving between genres — a trait that would become his hallmark.
The pen name Yan Leisheng carries connotations of resilience. “Yan” (燕) refers to the swallow, associated with diligence and persistence, while “Leisheng” (垒生) suggests building or accumulating life experience.
Career
Tian Xing Jian — magnum opus
The Tian Xing Jian5 (天行健, “Heaven Moves with Vigour”) series stands as Yan Leisheng’s masterpiece. The title derives from the I Ching6 (Book of Changes): “Tian xing jian, jun zi yi zi qiang bu xi” (天行健,君子以自强不息) — “As heaven moves with vigour, the superior man strives constantly for self-improvement”.
Begun in 2001 and completed in 2007, the series was serialised on Qidian7 Chinese Network. The original trilogy comprises Lie Huo Zhi Cheng8 (烈火之城, City of Raging Fire), Tian Zhu9 (天诛, Heavenly Punishment), and Chuang Shi Ji10 (创世纪, Genesis), plus side stories.
The narrative is set in an alternate world where an empire faces invasion by mysterious serpent-human army. Protagonist Chu Xiu Hong11 begins as centurion and rises to marshal. Rather than conventional heroic fantasy, Yan Leisheng uses the journey to explore duty, moral ambiguity, and psychological toll of warfare.
In January 2026, the ultimate revised edition was released after five years of revision. Spanning six volumes, it adds approximately 700,000 characters and provides resolution for over ten major characters whose fates remained ambiguous.
Di Huo Ming Yi — sequel
Di Huo Ming Yi12 (地火明夷, 2014) serves as both sequel to Tian Xing Jian and second installment in the planned “Heaven, Earth, Human” trilogy. The narrative centres on Chu Xiu Hong’s son, Zheng Si Chu13, exploring power struggles and moral dilemmas faced by survivors navigating new political order.
Dao Zhe Wu Xin — zhiguai series
The Dao Zhe Wu Xin14 (道者无心, “The Daoist Without Intention”) series represents Yan Leisheng’s contribution to zhiguai15 tradition, blending supernatural elements with humour and philosophical inquiry. Set during late Yuan Dynasty, it follows a Taoist priest encountering demons, ghosts, and supernatural phenomena.
Later years
Yan Leisheng continues writing while serving as Vice Chairman of Zhejiang Network Writers Association. His advocacy for maintaining literary standards within online literature has earned respect from both traditional literary circles and new generation of web authors.
Academic interest in his work has grown steadily. Scholars have published analyses examining his approach to civilisational alternate history, integration of traditional and modern elements, and treatment of human nature within fantastical frameworks.
Personal life
Yan Leisheng maintains a relatively private personal life, focusing public attention on work rather than biographical details. He has acknowledged interest in classical Chinese poetry, particularly the Yu Yu Ji16 (疑雨集) and ci poetry of Zhang Boju17.
In a candid moment, he admitted to composing one or two fake poems and inserting them into classical collections during years of transcription — a revelation speaking to both scholarly engagement with classical texts and playful sense of humour.
Honours and recognition
- Galaxy Award18 Reader Nomination for Wen Yi19 (Plague, 2002)
- Vice Chairman, Zhejiang Network Writers Association (2014)
- Orange Melon Witness Network Literature 20 Years Top 10 Wuxia Writers (2020)
- Chinese Science Fiction Nebula Award20 Long Fiction Award for Tian Qi21 (2023)
Themes
Moral ambiguity in extreme circumstances
His characters rarely face simple choices between good and evil, but rather confront situations where all available options carry significant moral cost. This complexity reflects mature understanding of human psychology and ethical reasoning.
Chinese philosophical traditions
Confucian concepts of duty and self-cultivation, Taoist ideas of naturalness and non-action, and Buddhist notions of impermanence and suffering all inform narratives. These are not merely decorative references but integral to character motivation and plot development.
Historical and cultural detail
Whether writing about alternate-history empires or Tang Dynasty supernatural encounters, Yan Leisheng demonstrates thorough research and genuine understanding of depicted periods. This scholarly approach lends authenticity to fantastical premises.
Literary style
Cross-genre synthesis. He operates comfortably within “retro-futurism”, combining classical Chinese aesthetic sensibilities with speculative concepts from both Western science fiction and traditional Chinese thought.
Restraint and precision. Rather than relying on elaborate description or emotional manipulation, he achieves impact through careful pacing and understated language. This creates classical reserve distinguishing his work from more sensationalist genre fiction.
Philosophical depth. His works engage with profound questions about consciousness, mortality, and ethical responsibility, elevating genre fiction beyond mere entertainment.
Legacy
Legitimising web literature
As one of the first generation of internet authors to achieve mainstream literary recognition, he helped legitimise web literature as serious artistic medium. His success demonstrated that online serialisation need not compromise literary quality.
Institutional influence
As Vice Chairman of Zhejiang Network Writers Association, he has participated in shaping policies and programmes supporting emerging writers. His advocacy for maintaining literary standards has earned respect across literary communities.
Academic attention
Scholars have published analyses examining his approach to alternate history, integration of traditional and modern elements, and treatment of human nature. This critical attention signals acceptance as subject worthy of serious literary study.
Works
Tian Xing Jian series
| Volume | Chinese | Year | Significance |
|---|---|---|---|
| City of Raging Fire | 烈火之城 | 2001 | Series launch |
| Heavenly Punishment | 天诛 | — | Expanded scope |
| Genesis | 创世纪 | 2007 | Original completion |
| Revised Edition | 天行健 (修订版) | 2026 | Ultimate edition, 6 volumes |
Side stories: Blood and Sand22, Spreading Wings23, Breaking Waves24, The Seventh Expedition’s Iron Cavalry25.
Di Huo Ming Yi series
Di Huo Ming Yi (地火明夷, 2014). Sequel to Tian Xing Jian, second in “Heaven, Earth, Human” trilogy. Centres on Zheng Si Chu navigating republican-era power struggles. See Yan Leisheng novels for details.
Dao Zhe Wu Xin series
| Chapters | Chinese | Volumes |
|---|---|---|
| Within the Seas | 海内篇 | Record of Subduing Demons26, Record of Warding Off Evil27, Record of Slaying Ghosts[^zhan gui], Record of Searching for Deities[^sou shen] |
| Beyond the Seas | 海外篇 | Treading the Sea[^ta hai], Treading Fire28, Breaking Stone29, Conquering Heaven30 |
[^zhan gui]: 斩鬼录 – Zhǎn Guǐ Lù.
[^sou shen]: 搜神录 – Sōu Shén Lù.
[^ta hai]: 踏海录 – Tà Hǎi Lù.
Science fiction works
- Plague19 (瘟疫, 2002). Galaxy Award nomination. Adapted into stage production.
- Age of Iron and Blood31 (铁血年代).
- Yesterday’s Love32 (昨日之爱).
- Cat Dream Street33 (猫梦街, 2015). Dreamlike novella about childhood friends and dreams becoming cats.
Historical fantasy
- Zhen Guan You Ming Tan34 (贞观幽明谭). Tang Dynasty supernatural tales, four volumes.
- Xi Yu Huan Sha Lu35 (西域幻沙录). Silk Road fantasy set in Kingdom of Khotan, four volumes.
See also
- Jiang Nan — Contemporary colleague
- Liu Cixin — Science fiction master who praised Yan Leisheng
- Chinese science fiction — Genre context
External links
- Yan Leisheng (Chinese) on Chinese Wikipedia
- Yan Leisheng (Chinese) on Baidu Baike
Footnotes
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张健 – Zhāng Jiàn. Yan Leisheng’s real name. ↩
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临平 – Línpíng. A district of Hangzhou, Zhejiang. ↩
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浙江网络作家协会 – Zhèjiāng Wǎngluò Zuòjiā Xiéhuì. Professional association for online writers. ↩
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刘慈欣 – Liú Cíxīn. Author of The Three-Body Problem. See Wikipedia. ↩
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天行健 – Tiān Xíng Jiàn. Title from I Ching. ↩
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易经 – Yì Jīng. Book of Changes, ancient Chinese divination text. See Wikipedia. ↩
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起点中文网 – Qǐdiǎn Zhōngwén Wǎng. China’s pioneering web literature platform. See Wikipedia. ↩
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烈火之城 – Liè Huǒ Zhī Chéng. “City of Raging Fire”. ↩
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天诛 – Tiān Zhū. “Heavenly Punishment”. ↩
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创世纪 – Chuàng Shì Jì. “Genesis”. ↩
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休红 – Chǔ Xiū Hóng. Protagonist of Tian Xing Jian. ↩
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地火明夷 – Dì Huǒ Míng Yí. “Earth Fire Brightness”. ↩
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思楚 – Zhèng Sī Chǔ. Son of Chu Xiu Hong. ↩
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遞者无心 – Dào Zhě Wú Xīn. “The Daoist Without Intention”. ↩
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志怪 – Zhì Guài. Chinese tradition of supernatural tales. ↩
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疮雨集 – Yú Yǔ Jí. “Collection of Doubtful Rain”. ↩
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张伯驹 – Zhāng Bójū. Collector and poet. ↩
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银河奖 – Yínhé Jiǎng. China’s most prestigious science fiction award. ↩
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星云奖 – Xīng Yún Jiǎng. Chinese Science Fiction Nebula Award. ↩
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天启 – Tiān Qǐ. “Heavenly Revelation”. ↩
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血和沙 – Xuè Hé Shā. ↩
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展翅 – Zhǎn Chì. ↩
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破浪 – Pò Làng. ↩
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七征之铁骑军 – Qī Zhēng Zhī Tiě Qí Jūn. ↩
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伏魔录 – Fú Mó Lù. ↩
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辟邪录 – Pì Xié Lù. ↩
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蹈火录 – Dǎo Huǒ Lù. ↩
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破石录 – Pò Shí Lù. ↩
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征天录 – Zhēng Tiān Lù. ↩
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铁血年代 – Tiě Xuè Nián Dài. ↩
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昨日之爱 – Zuó Rì Zhī Ài. ↩
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猫梦街 – Māo Mèng Jiē. ↩
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贞观幽明谭 – Zhēn Guàn Yōu Míng Tán. ↩
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西域幻沙录 – Xī Yù Huàn Shā Lù. ↩